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ANY GIVEN DAY

by Linda McLean

A play that shows the fleeting nature of happiness in contrast to an act of character disturbance and gratuitous violence. An extremely insightful and ironic wordplay about urban isolation, written by one of Scotland's most important playwrights. ANY GIVEN DAY explores the fear of the unknown, the responsibility towards ourselves and others and, consequently, the guilt generated by the decisions we make. But the play is not limited to just these aspects. The result of a growing anti-asylum movement in the 90s, a couple with intellectual disabilities were transferred from an institution to a shared apartment.

 

This is a positive action by society in proposing a more egalitarian outlook for a disadvantaged portion of the population, which has always been treated with prejudice. However, the plot reveals that this couple is the target of gratuitous violence, most likely fueled by their own vulnerable condition. Who is responsible for the guardianship of this couple? According to IBGE, a 2015 survey, 0.8% of the Brazilian population has some type of intellectual disability. Another study shows that seven out of ten rape victims in the city of São Paulo are vulnerable.

 

It is exactly the same condition and violence suffered by the character Sadie. Another provocation made by the text lies in the conflict condition of the character Jackie, faced with the questions faced by women in the 21st century. Work, family and personal desire are revealed, with the trigger being an attempt at romantic rapprochement between the characters, causing a break in Dave and Jackie's emotional blocks. It is therefore a text with different possibilities for thematic and aesthetic approaches, and which proposes reflections that resonate with the demands of today.

Play One portrays the daily life of a couple with intellectual disabilities. This is the starting point that the playwright uses to reveal something much deeper: a sick society, which manifests itself in a perverse, violent and intolerant way.

In Piece Two, the author puts her point of view on the feminine, enhancing the conflict of the character Jackie. She wants to give vent to her personal desires but represses them in the name of the obligations that society imposes on her, due to the fact that she is the mother of a sick son and is the niece who takes care of her intellectually disabled aunt and uncle (“Piece One”). The blame is imposed on the female condition.

All these questions are brought to the public in two distinct plays, but which are interconnected not only by what is written in the text, but also by the staging.

CAST AND CREW

playwrighter Linda McLean

director Carlos Baldim

translator Cristina Cavalcanti

cast Cristina Cavalcanti

       Fábio Mráz

       Ricardo Ripa

       Carlos Baldim

stage designer Cesar Rezende (Basquiat)

costume designer Cristina Cavalcanti

lighting designer Júnior Docini

composer L.P. Daniel

movement director Aline Aboksky

graphic designer Jiboia Estúdio

director assistant Henrique Pina

producer assistant Marcela Horta

producer Selene Marinho

realization Visceral Companhia

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Photos by Rodrigo Menck

GALLERY
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